UrbanicaBlog
by Israel Baumgartner
Currently viewing the category: "Painter"
Working with common themes such as transition, aging, isolation, and loss, I am interested in the fragility of relationships and people’s awkwardness in trying to coexist and relate to one another. To that end I create miniature 3D models to serve as evolving still lifes from which I paint detailed narrative paintings. Using cardboard, foam, wood, paint, glue, and model railroad miniatures, I construct various fictional, scale models. Recent models have included a neighborhood, lake, theater, doctor’s office, church, and numerous domestic interiors. The models become a stage on which I develop narratives. They offer me complete control over lighting, composition, and vantage point to achieve a certain dramatic effect.
While working with tiny pieces that often slip frustratingly from my fingers, I am reminded of the delicacy and vulnerability of the world I am creating, and this summons empathy for my subject. The clumsy inadequacies of miniatures help me to convey a sense of artifice and distance. I try to paint the scenes in a way that feels like a believable world, but an alternate, fabricated world.
The paintings are glimpses of a scene or fragments of a narrative. Similar to a memory, they are fictional constructions of significant moments meant to elicit specific feelings and to provoke the viewer to consider the moment before or after the one presented in the painting. I am interested in storytelling over time through repeated depictions of the same house or car or person, seasonal changes, and shifting vantage points. Like the disturbing difficulty of trying to put rolls of film in order several years after the pictures have been taken, my aim is for the collective images to suggest a known past that is just beyond reach.
Brett Amory is an artist living and working in San Francisco. Amory graduated from the Academy of Arts in 2005 and has been showing his work all over the country since graduating. Amory first made his mark with the release of “Convergence”, a book that came out in 2006 that he put out with some friends whose names you may recognize (Mars-1, David Choong Lee, Damon Soule, Oliver Vernon, and Nome Edona).
David Spriggs creates these amazing 3D installations, Painting on multiple panes of glass,Public School.
Marcel Ceuppens is a freelance art director/graphic designer in Belgium whose clients largely include Belgian advertising agencies. He also teaches at the Sint-Lukas Brussels University College of Art and Design. Above you see samples of his brilliantly economic, highly conceptual digital paintings.
Born in Selyp, Hungary in 1906, Gyorgy Kepes was a painter, designer, educator and art theorist. After emigrating to the U.S. in 1937, he taught design at the New Bauhaus (later the School of Design, then Institute of Design, then Illinois Institute of Design or IIT) in Chicago. He was the greatest pioneer in the marriage of art and technology in America, if not the world. He was a visionary, a towering intellect and a breathtaking artist. He single-handedly created the Center for Advanced Visual Studies at MIT and turned it into an internationally acclaimed program for the development of the finest in late 20th-century art.
Denis Peterson was one of the first Photorealists to emerge in New York. He is widely acknowledged as the pioneer and primary architect of Hyperrealism, which was founded on the aesthetic principles of Photorealism. Peterson has often utilized the hyperrealism painting style as a phenomenological vehicle for social change. Figurative images in compressed space and incorporeal landscapes of social decadence are visual commentaries on the aftermath of genocides, diasporas, and cultural divides.
It is often said that Florine Stettheimer, an early-Modernist painter of extreme originality and wit, lived a charmed life. Born to a wealthy German-Jewish family in New York in 1871, she was one of five children. Early on, her father left the family; she and her siblings grew up mostly in Europe. Stettheimer returned to [...]
It is often said that Florine Stettheimer, an early-Modernist painter of extreme originality and wit, lived a charmed life. Born to a wealthy German-Jewish family in New York in 1871, she was one of five children. Early on, her father left the family; she and her siblings grew up mostly in Europe. Stettheimer returned to New York in the early 1890s to study at the Art Student’s League, after which she returned to Europe, where she traveled extensively and studied art in Paris and Munich. In 1914, on the eve of World War I, she returned to New York with her mother and two sisters—Carrie and Ettie—and the family settled into an apartment in Alwyn Court on West 58th Street, near Carnegie Hall. There, Stettheimer and her sisters established a legendary salon that was frequented by many of the most important creative people of the time—among them, Marcel Duchamp, Carl Van Vechten, Gaston Lachaise, Sherwood Anderson, Edie Nedelman, Virgil Thompson, Edgar Varese, Georgia O’Keeffe, Alfred Steiglitz and the art critic Henry McBride.
